Emi Ferguson & Ruckus "Fly the Coop": Bach Sonatas and Preludes

With ever evolving arrangements of Bach’s Flute Sonatas and Keyboard Preludes, orchestrated for baroque flute and the forces of Ruckus that include theorbos, baroque guitars, baroque bassoon, cello, viola da gamba, harpsichord, organ, bass, and even banjo.

Ruckus, the super-powered baroque rhythm section, explodes Bach’s single bass line into a rainbow of textures and colors, continually shifting like light over the landscape as Ferguson’s flute lines dance above. Contrasting the three flute sonatas on the album are new arrangements of a variety of Bach’s keyboard preludes, with selections ranging from the beloved Well Tempered Clavier to alternate movements from keyboard suites that are rarely performed.

Ruckus Chamber Ensemble

Ruckus is a shapeshifting, collaborative baroque ensemble with a visceral and playful approach to early music. Described as “the world’s only period-instrument rock band” (San Francisco Classical Voice), Ruckus’ core is a continuo group, the baroque equivalent of a jazz rhythm section: guitars, keyboards, cello, bassoon and bass. The NYC-based ensemble aims to fuse the early-music movement’s questing, creative spirit with the grit, groove and jangle of American roots music, creating a unique sound of “rough-edged intensity” (New Yorker) that’s “achingly delicate one moment, incisive and punchy the next” (New York Times). The group’s members are among the most creative and virtuosic performers in North American early music.

Emi Ferguson Flute

Emi Ferguson is on a mission to shake up classical music. Whether playing modern or historical flutes, singing, composing, or speaking about music, she brings centuries of music to life with an adventurous spirit and a fresh perspective. Her performances, ranging from Baroque masterpieces to brand-new commissions are anything but predictable, blending historical performance with a fearless, modern edge.

A 2023 recipient of the Avery Fisher Career Grant, Emi thrives as both a soloist and a collaborator, appearing at major festivals and concert halls around the world. She performs regularly with AMOC*, Ruckus, the New York New Music Ensemble, the Handel and Haydn Society (where she is principal flute), and the Manhattan Chamber Players. As music director of Camerata Pacifica Baroque, she curates bold, genre-defying programs that highlight the Baroque for Southern California chamber music audiences.